Build a release-ready music video around your mix. Set the time range and visual brief, generate the shots, then export an edit sized for your channel or feed.
Control the footage, framing and production mode from a single project.
Input settingsPlan the order and pacing of shots.
Establish lighting and framing for each shot.
Turn the frames into moving footage.
Assemble the footage with your mix.
A full song can take more than 15 minutes. You can leave this page and return to your saved task.
Listen to the same minute as you watch the picture move between interiors and the coast. Pay attention to the contrast between close and wide shots. When you brief your own edit, specify where you want that change and give the first and last shots a clear job.
Music by Billie Eilish, excerpted for a demonstration.
1:00 · 16:9
Control the footage, framing and production mode from a single project.
Bring in a WAV, MP3, M4A or FLAC file, select a library track, or use a direct audio URL. Trim to a clean musical entry and exit before you generate. Set the in and out points on audible cues, such as the first kick or the end of a vocal phrase. Preview the selection rather than judging it by the waveform alone. If the mix has a long intro, test whether starting at the main groove makes more sense for the release clip.
Use a lead reference image and describe the lighting, colors and movement. Add a second character reference if the concept calls for another performer. Write the brief as three decisions the shots can carry: the palette, how the camera moves and what changes at the musical peak. For example, begin with a locked camera in a dark warehouse and switch to closer, cooler-lit shots when the drums enter.
Automatic mode advances through production for you. Use the staged workflow to check first frames and replace or regenerate individual shots before assembling the edit. Use automatic mode for a first pass when you can accept the generated sequence. Use staged review for a deliverable with a fixed visual brief. Approve the framing and lighting in the first frames, then watch the generated clips for motion and continuity before assembling the final cut.
Pick a landscape, portrait or square frame before rendering. Compare the credit estimate for 768p and 1080p, then download the MP4 from your saved project. Pick 16:9 for a landscape master, 9:16 for a phone-first cut or 1:1 for a square feed. Plan a separate project when a different frame changes the composition. Preview the exported MP4 to check the opening, the ending and whether important details survive at the target screen size.
Set the delivery format before you render. A YouTube premiere, a phone-sized loop and a client proof use different lengths, framing and review points.
Use the master audio and a 16:9 cut, and give the arrangement visible changes as instruments enter. If you plan to earn ad revenue, check that your channel and video are eligible for YouTube monetization, that you have commercial rights to the music and footage, and that you make any required AI disclosure.
Use the first drum fill or vocal hook as the in point for a short release-day asset. In a vertical cut, keep the subject clear against the background and make the opening recognizable even on a small screen.
Run a 10–20 second proof before rendering the complete edit. Use the actual mix and the reference image, then ask the client to approve the palette, camera movement and framing. Lock those decisions before the longer generation.
Build a 5–8 second vertical scene with a single readable motion, such as a slow ribbon of light matched to the sleeve art. Check how the end joins the beginning. Export a 9:16 MP4 and resize it if needed to meet Spotify’s 720–1080 pixel height requirement.
Use an original track to test a distinct visual treatment, then present the finished clip next to its storyboard and a few first frames. That lets a prospective client see how you handle pacing and continuity as well as the look of the final edit.
Cut a short video to the game’s main theme and build the scenes around a recognizable character or location. Use the same visual references as the store art so the clip feels like part of the launch when it appears on a soundtrack page or social feed.
Decide the audio cues and delivery format first, then choose whether to approve each stage before the export.
Choose your audio source, mark the in and out points, and listen to the selected range.
Add a performer reference and describe the camera, palette and movement. Set your aspect ratio and output resolution.
Let the stages run or approve them in order. Open the saved task and download the finished MP4 when it is ready.
Get the facts you need to estimate a short proof, choose a review mode and plan more than one delivery format.
Select 5 to 360 seconds. Trim longer recordings to the section you want to score.
Yes. In the staged workflow you can replace or regenerate eligible assets and assemble the edit again.
Yes. Upload a supported audio file you have permission to use, or provide a direct audio URL.
Pro Monthly, annual plans and Pay as You Go. The project shows a credit estimate based on your selected settings.
The video stage is 30 credits at 768p or 50 at 1080p for 10 seconds. Each successfully generated first frame adds 4 credits. The 33-credit storyboard fee is returned when the video stage finishes. An individual regeneration is billed separately.
Set the aspect ratio before generation. To deliver both shapes, make a separate project for the second ratio and adjust the brief for the new composition. A tall phone frame and a wide player give the subject and background very different amounts of room.
You can watch the demo without an account. To render your own MP4, sign in with an eligible plan and enough credits. The estimate appears once you choose the audio length and output settings.
Yes. Choose the option to upload your own first frames, then add them at the first-frame stage. In staged review you can also replace an individual image or clip before assembling the cut.
Failed initial frames are not charged. Charges for a delivered storyboard or successful first frames can still apply if a project stops. When the video stage completes, its charge is based on the selected audio length, even if a clip needs a replacement or regeneration.
No. The project is saved in My videos. Reopen it to check progress, resume staged review or download the result. A full track can take more than 15 minutes, depending on length, shot count and service load.
